chr0me:

I mean *come on*. It’s not like JJ Abrams doesn’t have Naveen Andrews’ contact information.

chr0me:

I mean *come on*. It’s not like JJ Abrams doesn’t have Naveen Andrews’ contact information.

#Star trek #jj abrams #whitewashing

brofiling:

white privilege radically changes the appearance of Tsarnaev bros
This is how brofiling actually works in real life. The Week Magazine ran with this image as their cover sketch.
Just so it is said, clearly and unambiguously: the Tsarnaev brothers are white guys. They are white. The FBI’s own wanted poster for Dzhokhar Tsarnaev lists his race as “white”, but you would never know it from the cover image on The Week.
Hold up the cover to someone else, and ask them how many white people they can see on the cover. Chances are they will identify Gabby Giffords on the top left and the image of the Boston policemen (all white men) on the top right, but how about those two guys in the center? Nope, not a chance that anyone would say these caricatures look white.
Why? Because in addition to being white they are also “Muslim”, which is the current dehumanizing “Other” that whiteness has constructed as a sanctioned target for violence in US popular culture.
This is how white privilege works in media representations and everyday life: when the criminal suspects are demonstrably white men, seize upon any aspect of difference and magnify it such that they become Othered, non-white, and menacing. If it is too hard to do so, simply dismiss them as aberrations and isolated cases of insanity. This is also how white culture, specifically the process of whiteness in conjunction with white privilege, portrays several non-white identities, including those that are now considered white but at one time were decidedly not so. For example, see here for how the Irish were depicted as violent apes or lazy drunks in the late 1800s to early 1900s.
Addendum, posted 4.29.13:
As Tim Wise said on April 18, there are consequences for these kinds of things. Here are a few reasons why this is important:
Making white criminals who are Muslim appear to be more ‘brown’ than ‘white’ has serious consequences for brown people. Indeed, as we saw right after the Boston bombings, people that simply “looked” brown and Muslim were profiled and assaulted. Two men were escorted off a plane in Boston simply for speaking Arabic and thereby somehow making passengers “uncomfortable”. A Bangladeshi man in NYC was beaten up because he looked ‘Arab’. And this affects women too: a Muslim woman doctor in Boston who wears a headscarf was attacked by a man while she was out walking with her baby. And the white Muslim wife of the older brother has been demonized for simply being a Muslim American woman, especially after Ann Coulter called for women who wear hijabs to be arrested.
People have pointed out to me that The Week Magazine’s cover images are regularly caricatures/sketches of the main events of that week’s news. I know this—I read their print edition every week, and all their previous cover images are available online. But there are two main problems with this argument: (a) why caricature them in a way that makes them so explicitly ‘darker’ and ‘Arabized’ in their appearance? Contrast the way they look on that page with the other white faces on that same page—would anyone say that these men look ‘white’? So why is the caricature done in such a ‘racializing’ way (as if ‘white’ bodies have no race, but that’s point #3 below)? How is this any different from the more overt media racism that was used by Time Magazine (h/t @sarahkendzior), for example, to make OJ Simpson appear way more menacing? And (b) if The Week is simply trying to put a caricature of criminals who committed mass violence on their cover, then here are the covers for the weeks when Newtown happened, when Aurora happened, and when Tucson happened — where were their ‘racialized’ caricatures of Adam Lanza, James Holmes, and Jared Loughner? How come the ideologies and ethnicities and religions of those particular mass criminals were not profiled?
And so here is the more subtle consequence: when white criminals are treated as if they are just aberrations, and when white criminals who are Muslim are portrayed as more brown than white not just by The Week but by mainstream propaganda outlets like Fox News, then the problems of white supremacist violence and extremism become hidden, unaddressed. Indeed, as reports have shown, of the terror attacks/plots since 1995 in America, 56% of them were by right-wing extremists and only 12% by Islamist/jihadist groups — and yet the DHS was told to back off reporting on that or on analyzing right-wing violence for fears of backlash from conservative political groups.
So, my main point is that such a willful blindness hurts all people.

brofiling:

white privilege radically changes the appearance of Tsarnaev bros

This is how brofiling actually works in real life. The Week Magazine ran with this image as their cover sketch.

Just so it is said, clearly and unambiguously: the Tsarnaev brothers are white guys. They are white. The FBI’s own wanted poster for Dzhokhar Tsarnaev lists his race as “white”, but you would never know it from the cover image on The Week.

Hold up the cover to someone else, and ask them how many white people they can see on the cover. Chances are they will identify Gabby Giffords on the top left and the image of the Boston policemen (all white men) on the top right, but how about those two guys in the center? Nope, not a chance that anyone would say these caricatures look white.

Why? Because in addition to being white they are also “Muslim”, which is the current dehumanizing “Other” that whiteness has constructed as a sanctioned target for violence in US popular culture.

This is how white privilege works in media representations and everyday life: when the criminal suspects are demonstrably white men, seize upon any aspect of difference and magnify it such that they become Othered, non-white, and menacing. If it is too hard to do so, simply dismiss them as aberrations and isolated cases of insanity. This is also how white culture, specifically the process of whiteness in conjunction with white privilege, portrays several non-white identities, including those that are now considered white but at one time were decidedly not so. For example, see here for how the Irish were depicted as violent apes or lazy drunks in the late 1800s to early 1900s.

Addendum, posted 4.29.13:

As Tim Wise said on April 18, there are consequences for these kinds of things. Here are a few reasons why this is important:

  1. Making white criminals who are Muslim appear to be more ‘brown’ than ‘white’ has serious consequences for brown people. Indeed, as we saw right after the Boston bombings, people that simply “looked” brown and Muslim were profiled and assaulted. Two men were escorted off a plane in Boston simply for speaking Arabic and thereby somehow making passengers “uncomfortable”. A Bangladeshi man in NYC was beaten up because he looked ‘Arab’. And this affects women too: a Muslim woman doctor in Boston who wears a headscarf was attacked by a man while she was out walking with her baby. And the white Muslim wife of the older brother has been demonized for simply being a Muslim American woman, especially after Ann Coulter called for women who wear hijabs to be arrested.
  2. People have pointed out to me that The Week Magazine’s cover images are regularly caricatures/sketches of the main events of that week’s news. I know this—I read their print edition every week, and all their previous cover images are available online. But there are two main problems with this argument: (a) why caricature them in a way that makes them so explicitly ‘darker’ and ‘Arabized’ in their appearance? Contrast the way they look on that page with the other white faces on that same page—would anyone say that these men look ‘white’? So why is the caricature done in such a ‘racializing’ way (as if ‘white’ bodies have no race, but that’s point #3 below)? How is this any different from the more overt media racism that was used by Time Magazine (h/t @sarahkendzior), for example, to make OJ Simpson appear way more menacing? And (b) if The Week is simply trying to put a caricature of criminals who committed mass violence on their cover, then here are the covers for the weeks when Newtown happened, when Aurora happened, and when Tucson happened — where were their ‘racialized’ caricatures of Adam Lanza, James Holmes, and Jared Loughner? How come the ideologies and ethnicities and religions of those particular mass criminals were not profiled?
  3. And so here is the more subtle consequence: when white criminals are treated as if they are just aberrations, and when white criminals who are Muslim are portrayed as more brown than white not just by The Week but by mainstream propaganda outlets like Fox News, then the problems of white supremacist violence and extremism become hidden, unaddressed. Indeed, as reports have shown, of the terror attacks/plots since 1995 in America, 56% of them were by right-wing extremists and only 12% by Islamist/jihadist groups — and yet the DHS was told to back off reporting on that or on analyzing right-wing violence for fears of backlash from conservative political groups.

So, my main point is that such a willful blindness hurts all people.

#whitewashing #news media #racism #racebending

lesighh:

smh katara and sokka were whitewashed in the poster for the play about them

Good catch!

#racebending #whitewashing #subtle reference

nauticus:

made rebloggable by request!

nauticus:

made rebloggable by request!

(via whitewashing-khan)

#Whitewashing #racebending #star trek #khan

Q
Thanks for your nuanced response, but Cumberbatch outweighs everything. I thought about my reaction to IM3's Mandarin, and still couldn't muster up more than mild annoyance. I just don't see how systematized racism in the US film industry is as big of a deal as POC bloggers are making it out to be. It feels belittling to explicit POC injustices and lets white people blanket dismiss all race issues to be as trivial as fanboys whining about the status of their multimillion dollar film franchis
A

“Cumberbatch outweighs everything.”

“…let’s white people blanket dismiss all race issues to be as trivial as fanboys whining.”

#benedict cumberbatch #racebending #whitewashing #khan #self awareness #and stuff #korra: you're oppressing yourselves!

#Whitewashing #khan #star trek #benedict cumberbatch #racebending #rebloggable by request

Q
Sorry but Benedict Cumberbatch is totally amazing and Star Trek is a dumb action franchise now, so what's the big deal? We don't even know the new backstory for Khan, and the first film already destroyed pre-existing continuity. All this outrage when the film isn't even out yet is silly. It's not even close to a Akira or Avatar whitewash. Also, Cumberbatch! He could've played Ip Man in the Wong Kar-Wai biopic and I wouldn't have complained (maybe). Just dub the Chinese in post. CUMBERBATCH4EVER
A

The “big deal” is:

  • That Star Trek, a franchise known for it’s progressiveness, has regressed in casting and representation to the standards from the 1960s.  Khan was a character of color.  Regardless of how Star Trek decided to cast this character ~fifty years ago, using the racist casting practices of yesteryears, there is no valid, non-discriminatory reason for the franchise to regress to that now.
  • That aside from Faran Tahir’s brief role in the first five minutes of Trek09, there are no prominent South Asian characters in this franchise, so when a character is named Khan Noonien Singh you’d hope they would be able to find an actor of South Asian descent out of all of the ones that are out there.
  • That it’s Paramount again, not feeling like they need to learn anything from whitewashing incidents like “The Last Airbender.”
  • That Benedict Cumberbatch is a white man with British and Hollywood crossover appeal; he has access to countless roles that are blocked off actors of color— including hundreds of Star Trek characters…and this just happens to be one of the most prominent characters of color at all in science fiction.  If they won’t even cast people of color for iconic bad guys…
  • That the Cumberbatchness of Benedict Cumberbatch somehow outweighs the importance of calling out discrimination.  But that’s not “silly,” to you, nah, the people who are upset about racism are the silly ones.  

That’s why this is a big deal.

#Khan #star trek #whitewashing #benedict cumberbatch #racebending

Casting a white guy as Khan means tossing out one of the most valuable things about the character — his ability to make us talk about eugenics without it being a coded discussion of white supremacy.
io9  (via whitewashing-khan)

Not that eugenics hasn’t been a coded discussion for white supremacy anyway, but still.

(via whitewashing-khan)

#Racebending #whitewashing #eugenics #star trek #intotrek into darkness

lap-yak:

I think it sort of just hit me now how irritated i am about the whole star trek into darkness mess

Also just now realizing how horribly sexist ST09 is. Out of the four total women in the movie (!!), one is dead, two (winona kirk and amanda grayson) are on screen for like 15 minutes total and never named. And also somehow the uniforms for women are even skimpier than the ones in TOS. I just read something that said gene roddenberry actually wanted all the uniforms in TOS to be the same (pants/long sleeve top, which was certainly the case in TNG) but was pressured by executives to use dresses for women. JJ abrams had the ability to change all this, and yet…

So disappointed.

It’s almost like Star Trek is still being made in the 1960s.

#Star trek #khan #whitewashing #racebending

If Star Trek 2 has whitewashing in it, I guess we shouldn’t be too surprised. It’s produced by Paramount, after all…so was The Last Airbender.

#Star trek #star trek 2 #whitewashing

Q
Also, Disney has pose guides for what poses the designers can draw the princesses in, and, I forget the actual number, but Cinderella and the other white princesses had about an average of 40, while Tiana had more like, 5
A

That would explain why the non-white princesses are always in the same poses!

#disney #disney princess #disney princesses #racism #whitewashing

Benedict Cumberbatch is playing Khan in Star Trek Into Darkness. All that bullshit of him not being Khan and really “John Harrison” was just a cover to hide the truth from moviegoers.

The latest rumor from Furious Fanboys based on reports from viewers from Sydney, where the film just premiered.

Star Trek — racially progressive in the 1960s.

Not so much in 2013.

#khan #spoilers #star trek #whitewashing #wrath of khan #benedict cumberbatch #into darkness #jj abrams #racebending

I’m not about to go slap some dark makeup on her, I think it’s important to have a Latina in the role for a very simple reason — I think they know what it feels like to be an outsider.
When author Arthur Laurents revived West Side Story he was determined not to whitewash the roles, including the lead role of Maria.   He also went back and translated parts of the book into the Spanish that his Puerto Rican characters would have naturally spoken.  
#whitewashing #racebending #west side story #musicals

a haiku for disney

nothisdate:

ethiopienne:

simba doesn’t count

tiana was mostly frog

y’all racist as hell

slap on insider knowledge from a designer for disney merchandise and how disney literally told her to take tiana and mulan off the box she was designing and just draw the  white princesses

yeah

racist #1 

Where did you hear this story from?

#disney #disney princess #whitewashing

hollylderr:

Representation Visualization: Time to Wash Those Men Right out of our Hair

#Whitewashing #hollywood