Hi everybody!   When I’m not working on Racebending, I’m a grad student at UCLA where my colleagues/friends and I are currently researching the wellness outcomes of LGBTQ Asian Pacific Americans!   (See above video for more details.)   

We are in the process of conducting a survey of people who identify as LGBTQ and Asian Pacific American and would love your participation.  Make sure our voice is heard! We were awarded a small grant so we will be raffling off a bunch of $50 Amazon gift cards, too.   The link to the survey is www.uclaqapistudy.com!     

Please consider taking the survey and reblogging!   

#off topic #shameless plug #LGBTQ #Asian American #Asian Pacific Islander #queer #QAPI

gamersagainstbigotry:

gamingincolor:

Gaming In Color is a full length feature documentary on one of the fastest growing communities in the fastest growing entertainment sector in the world: Gaming. For too long gamers have been painted in a very specific light, and the mosaic of gamers have lacked the diversity of minorities, queers, women, and members of LGBTQ communities.

We want to create this film in order to take a closer look at the challenges and the growth of these communities in the gaming world.
Drop us an ask to Share your Story with us.
Or visit our Kickstarter to help us document the queer community’s role in Gaming’s History.

http://www.kickstarter.com/projects/gamingincolor/gaming-in-color

Gaming in Color has just 14 days left to reach their Kickstarter goal for a feature length documentary of gaymer culture. They’re sooooo close, everybody.

Bonus: awesome poster!

(via gamerisms)

#video games #lgbtq

The Jedi Council Forum

ink-knights-folly:

I love the discussions, the fandom, the Expanded Universe.  But I recently learned something that has me rethinking my participation on the site.  I recently went to post by BtVS/Glee crossover in their Non-Star Wars fanfic section and was told that I couldn’t have my chosen pairings because the owner has set a rule against homosexual relationships in fics.  This person is adamant about this rule, and I find myself extremely disappointed in the internet in general that a rule like that can still exist in 2013.  I’m not asking anyone to boycott or quit the boards.  I just felt that this should be put out there.

There’s also the soul crushing, mindboggling “Should there be gay characters in the Star Wars sequel movies” thread. And there could definitely be more people participating in the forum discussing diversity in the expanded universe, too.

Having been on these forums for over a decade, the sad thing is that fans who are LGBTQ or people of color or women feel less welcome in these spaces and self select out, yet this community is one of the few spaces the publishers and authors go to for feedback assuming it is representative of all fandom.

#Star wars #lgbtq #Homophobia #heterosexism #fanfic

I believe everyone should get to see themselves reflected on TV. EVERYONE.

And because I love all my gay and lesbian friends. AND because I think same-sex marriage is the civil rights fight of our era and back when being a person of color was the civil rights fight, people like Norman Lear put black people on TV and helped change some minds. So you know, it’s gotta be paid forward.

As long as we are willing to sit by while one person is not free, none of us are free. Because as long as someone feels like it is okay to ask the question “why all the gay people on your shows”, then there is still a HUGE problem that needs to be solved. It’s like asking “Why all the black people on your shows”. (Which is, in fact, why there are also a lot of people of color on my shows . Cause people keep asking. Like it’s unusual. Which means we have a LONG way to go). Okay, done preaching.

Grey’s Masochist:   Someone asked Shondra Rhimes “ I love your shows but why all the gay and lesbian story lines?”
#shondra rhimes #scandal #creators of color #lgbtq

#doing it right #lgbtq

Gabe Canada, who also writes for Racebending, interviews Jay Fuller at Sequel-Buzz.  Fuller is the creator of Boy in the Pink Earmuffs, a webcomic.

There doesn’t seem to be a great deal of content with glbt characters geared towards children or young adults. Have you had responses from younger readers because your protagonists are in their age range?

That’s one of the reasons I started BiPE. There’s not a lot of material that covers this part of life for young queer kids. People focus too much on sexuality and act as if we become gay once we hit puberty, but there was plenty of “queerness” going on in my life in that twilight period before sexuality hit. Back then, I wanted to hold hands with boysand give them valentine’s and it wasn’t about sex. It was a Charlie Brown kind of romance and I would have loved to have seen those desires reflected in books or comics or tv.

Most of my fans seem to be high school or college age, so I haven’t heard too much from very young fans, although a young 12 or 13 year old girl once ran up to my table at a convention and told me she thought it was great what I was doing. OH MY GOSH did she melt my heart.

Click here to read the full interview!

#Boy in the Pink Earmuffs #lgbtq

On Showing Solidarity Without Flaunting Privilege

On tumblr today, we’re talking about the non-Muslim girl who put on a headscarf and went to the mall to experience what it is like to be visibly Muslim in the United States.

 She writes:

This experiment gave me a huge wake up call.  It lasted for only a few hours, so I can’t even begin to imagine how much prejudice Muslim girls go through every day. 

Her experience has been deconstructed, ranging from critiques that her “sociological experiment” was microaggressive and invalidating of real experiences, to defenses that she was simply trying to understand by walking in someone else’s shoes for a day.

There’s also critique that there is important meaning behind wearing the hijab, and that the purpose of the hijab is not to use it “to find out what it’s like to experience Islamophobia for a day.” 

Another underlying argument is simply wondering why someone who is non-Muslim and did it for a day is getting so much praise, while people who are Muslim and wear hijab daily are not acknowledged for the discrimination they face and are often told they are exaggerating and overreacting when they share their experiences.

I think we can all agree that this woman considers herself to be and is trying to be an ally.  And that to want to be an ally is a good thing.  

Although they are not equivalent experiences, the first thing I thought of when I read these posts whats this:

In which two opposite-sex celebrity couples have spoken out in solidarity of marriage equality.  If same-sex couples can’t get married, we won’t  get married, either.

This is something I used to believe, too, and something I’ve seen espoused by friends as well.   And how could a couple with straight privilege/passing-straight/heteronormative privilege making a statement like this be considered a bad thing?    We were all showing solidarity for gay/same-sex couples—or so we thought.  We declared this proudly, as allies voluntarily sacrificing our rights in the name of social justice.

Here’s the deal with voluntarily shedding your privilege to stand in solidarity with those who face oppression, though—is it even actually possible?    

Because when I said, “I won’t get married until gay couples can get married, too.” I experienced the loss of my rights on a completely voluntary  level.     To face something self-imposed is not the same as to face something imposed on you by society.  

My friends in “same-sex” relationships were up against systemic discrimination.  I was just exercising a choice not to get married— a choice that hetero”normative” couples have that couples in “same-sex” relationships simply don’t have.  I wasn’t “learning what it was like” to experience marriage discrimination at all.  I glommed onto an injustice that was not happening to me and tried to make it all about me and how valiant of an ally I was.

When I said, “I’ve chosen not to get married until you can,” to demonstrate solidarity, what I was really doing was reminding people that they can’t get married, and that unlike me, they don’t have a choice in that.   They didn’t have the straight privilege to choose to not get married.   It didn’t matter that I was trying to “show solidarity.”  My self imposed boycott, my ‘newfound’ understanding of not being able to get married before marriage equality—all of those experiences did nothing for them or for the fight for marriage equality.  

Did it build character?  Not really.  And every time I said it, I was simply reinforcing that the inequality existed, magnifying the privilege I had without choosing to acknowledge it.

It also reminded me of a project that my high school did to teach students about homelessness.  

My high school was in an affluent suburb in Orange County.   Every year, a class would be selected to participate in a special project:  For a week, students would reenact what it was like to be homeless.  Their parents were instructed not to give them lunch money.  They were asked to sleep in their parents cars instead of in their bedroom.  They had to turn in their cell phones and not use the computer or video game consoles.   After all of this self-deprivation, they would journal about their experience and what it was like for them to be “homeless” and to “live in poverty.”

This program was designed to be life changing for students, to show them what it was like to be poor. It did educate and change the perspective of some of the rich kids.  But an unintentional side effect was that it also hurt and offended the students who were actually experiencing homelessness and being from low income families.  Wealthy students were praised for voluntarily sacrificing their cell phones and CD players and GameBoys.   But experiencing poverty is not voluntary—so were these wealthy students truly understanding what it was like?  Did the students from lower income families really feel that their peers were showing them solidarity?  

—-

There are ways to demonstrate solidarity without declaring that you are voluntarily and temporarily shedding your privilege to stand next to people who experience oppression.     Even voluntarily opting out of privilege is in itself a function of privilege.  And those declarations can be hurtful—because they magnify the injustice of not having a choice.

Maybe there isn’t a way to “understand what it is like” unless you’ve been there, and part of being a good ally is just understanding that.

#LGBTQ #ally #cultural voyeurism #showing solidarity #imperfectwriting

sugarbooty:

afterellen:






It’s funny, it’s so complicated because I’d love to play a queer woman on a television show but that’s only because I think we need to see more queer women on television, not because it’s the only thing I can play, certainly. Whenever there’s a space that’s lacking, I’d love to be able to slide in. That’s why with, like The Mindy Kaling Project. I was just Facebooking about it today. I can’t tell you — the first time I saw that pilot — I’m not into romantic comedies. That’s not really my go-to genre. When I saw that pilot, just seeing a woman with skin that looked like mine seem so unapologetic and very un-selfconciouss just made such a huge difference to me. It was unbelievable. It made me want to watch her show, even though I’m not into romantic comedies. There’s something about that that I can relate to. And then there are people who don’t have dark skin necessarily but do like romantic comedies and can relate to looking for love in the modern world or whatever. There’s just so much space for people to have recognition within characters of colors or characters that are queer or gender nonconforming and I feel like we don’t give audiences enough credit to be able to handle that kind of stuff.

Jasika Nicole on being a queer woman of color in Hollywood








This is, as always, an honor, to be recognized and invited to talk about my experiences.. Being seen and heard makes such a difference, and it is a privilege that not everyone in my communities are able to exercise, so I do not take it for granted! Thank you, afterellen :)

sugarbooty:

afterellen:

It’s funny, it’s so complicated because I’d love to play a queer woman on a television show but that’s only because I think we need to see more queer women on television, not because it’s the only thing I can play, certainly. Whenever there’s a space that’s lacking, I’d love to be able to slide in. That’s why with, like The Mindy Kaling Project. I was just Facebooking about it today. I can’t tell you — the first time I saw that pilot — I’m not into romantic comedies. That’s not really my go-to genre. When I saw that pilot, just seeing a woman with skin that looked like mine seem so unapologetic and very un-selfconciouss just made such a huge difference to me. It was unbelievable. It made me want to watch her show, even though I’m not into romantic comedies. There’s something about that that I can relate to. And then there are people who don’t have dark skin necessarily but do like romantic comedies and can relate to looking for love in the modern world or whatever. There’s just so much space for people to have recognition within characters of colors or characters that are queer or gender nonconforming and I feel like we don’t give audiences enough credit to be able to handle that kind of stuff.

This is, as always, an honor, to be recognized and invited to talk about my experiences.. Being seen and heard makes such a difference, and it is a privilege that not everyone in my communities are able to exercise, so I do not take it for granted! Thank you, afterellen :)
#LGBTQ #Intersectionality

I went into this business knowing I faced a fairly long list of limitations. Being Asian-American was one. Adding the fact that you’re gay is career suicide. At least that’s how it felt.
Asian American actor BD Wong to “The Advocate” in 2003. This is the interview where he came out as gay.
#B.D. Wong #Mysterious as the dark side of the moon #Lgbtq

B.D. Wong from a 2003 Interview with The Advocate

The Advocate:  Do you miss Oz?
Wong:  I do. Oz was great. The character was Asian because I’m Asian. Tom [Fontana, the show’s creator] said, “I want you to be the priest.” Not “I want you to be the first Asian-American priest on TV.” It was the first time somebody came to me and said, “I’ll write a part for you.”
The Advocate:  You don’t like being the first Asian-American this or that?
Wong:  I have a fear of labels. If someone labels me, I have to respond—do I acknowledge it, reject it, deny it, live up to it, and defy it? Labels can affect your ability to be yourself. If you’re not careful, like I wasn’t when I was young, that can take a toll on you.  You find yourself conforming to everyone else’s ideas of who you are.
...
The Advocate:  But you have had roles that weren’t “written Asian,” right?
Wong:  I get very, very close to a lot of nontraditionally cast roles. And then they chicken out
at the end, or they go with the other guy for whatever reason. In Shakespeare, I’m only allowed to play Ariel, in The Tempest, because he’s a spirit, not a human being.
The Advocate:  What human being in Shakespeare would you like to play?
Wong:  Iago.
The Advocate: Could you bring something to the role because you’re Asian-American?
Wong:  No. I cannot. It’s about the literature, about illuminating the text.
...
The Advocate:  You played Linus in the Broadway revival of You’re a Good Man, Charlie Brown.
Wong:  It was a really big deal for Charles Schulz to sign off on that. He did not draw a diverse group of kids. But I think in 1999 he recognized that the world is a diverse place, and being so literal on the stage would send not such a great message. I really related to Linus, and I never took liberties with the essence of whothat person was.
The Advocate:  In 1990, Jonathan Pryce, the British actor, was slated to play a Eurasian character in the Broadway musical Miss Saigon. You wrote a letter denouncing the casting as “dangerously
wrong” and arguing on behalf of Asian-American actors, “We may never get to do the work we dream of if a Caucasian actor with taped eyelids hops on the Concorde.” That led to a bitter struggle with the producer of the show.  What do you think about the controversy now?
Wong:  It was a triumph on the part of the Asian-American community. Until we protested, Jonathan Pryce was going to wear yellow makeup. [Pryce was dropped from the show in 1992.] When we compared it to blackface, people started to get it. Apparently, the lighter the ethnicity, the harder it is for people to fathom.
The Advocate: So it had a positive effect?
Wong:  It was undeniably positive. People didn’t understand what we were talking about before that.  Everything that’s happened since then resonates with that moment.
The Advocate:  But if you say that a Caucasian actor can’t play an Asian character, why can’t someone else say that an Asian actor can’t play a Caucasian character?
Wong: I would say, it doesn’t work both ways.  It’s just one of those things that doesn’t.
...
The Advocate:  I guess you don’t like it when people expect you to know particular things because you’re gay or because you’re Asian.
Wong:  I know about lots of things that have nothing todo with being Asian, that you would never guess from looking at me. I know all about musical theater. I could go on Jeopardy! and knock off the whole Broadway show tunes category. Also the whole Bible stories category.
The Advocate:  Because of your upbringing?
Wong:  No. I wasn’t raised in any religion. Because of Godspell, Jesus Christ Superstar, and Joseph and the Amazing Technicolor Dreamcoat.
#B.D. wong #Asian american #Acting #LGBTQ #racebending #Whitewashing #Yellowface

espiralito:

Mosquita Y Mari (2012) is a triumph for our community. Made by a Aurora Guerrero, a beautiful Xicana, this film is a colorful narration as liberating as a breath of fresh air after a sweat lodge. It felt ceremonial to let the tears roll and our hearts grow heavy in front of the screen. It felt as if a long lost sister held your hand and walked you through mutual secrets of pain and beauty through shots of moving long black hair, smooth brown skin, glowing smiles in the sun and smog, and natural use of spanglish. Finally and thank you.

Attended the screening and Q&A panel with the director, actors, and a producer at Outfest 2012.  This film was wonderful!  

During the Q&A a white audience member asked the director if she was ever worried about what white people or straight people would think about the film.  She said no, “because to be honest, I made this film for Latinos” and for the LGBTQ community.   The response was done so deftly.  A reminder that people who are white or people who are straight do not always have to be the target audience.

Next up for Mosquita Y Mari is a limited theatrical run in New York!   

#latina #undocuqueer #diversity #lgbtq #qwoc

While the Boy Scouts of America may have the “legal” right to continue to discriminate–a question I believe should be revisited–I and others have the same “legal” right to protest the policy, till our last breaths if necessary, as blatantly discriminatory and against everything that equality in America stands for.
George Takei, addressing the Boy Scouts releasing a statement  reaffirming its ban on gay scouts and LGBT leaders. [To keep myself physically strong, mentally awake, and morally straight.]
#boy scouts #discrimination #lgbtq #george takei