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Reblogged from bard-of-raging-boner  579 notes


I was really fucking annoyed when they cast whiney white boy Christian Bale to play Moses in Exodus (2014) and even whiter Australian white boy Joel Edgerton to play Rhamses.

But it’s okay, they have hired an actor who is a POC and of African descent, which is good because Exodus takes place in Africa. It’s all good guys.

Isn’t everything really okay and not racist now? Right?

Reblogged from jhenne-bean  45,856 notes


edit: Ricardo Montalban, the actor who originally portrayed Khan, is Mexican, yes. The character, however, is Asian (specifically Sikh). I apologize for not making the actor/character difference clear, and I do agree it was my bad for putting Khan in this post, since POC are not interchangeable. I wanted to show how a TV show in the 60’s cast a POC for a POC, while a Hollywood blockbuster made in 2013 cast a white actor for a POC. Apologies for not explaining the Khan issue further.

Reblogged from dofer49  5,293 notes





jesus are there still people who are excited about big hero 6  ? lets talk about how disney saw fit to make honey lemon white because she had blond hair in the comics, a character who was named “Aiko Miyazaki” for fucks sake 
oh and fredzilla, a character of ainu origin, looked like this image and got redesigned to this
because an entire cast of poc would just alienate the audience, right ? fucking unbelievable 

Stop saying an entire cast of POC- it SHOULD be entirely Japanese (ONLY JAPANESE). Which would also make Wasabi Japanese (and once again excluding the black community). They’re clearly trying to make it more “American” (as they moved the entire setting from Japan to the USA) . Historically speaking, putting more white people in anything is never a good idea, but marketing- when 63% of the USA is white- it’s a decently smart move.  I’m not condoning changing the ethnicity of all of the characters, but it does make sense.  Besides, if Dream Works did it I bet not a single one of you would say anything.


Well actually I’m pretty sure people are still complaining about Honey Lemon. Also, Disney has made films with all-poc casts that have been wildly successful. The Jungle Book, Aladdin, Mulan, The Emperor’s New Groove, Brother Bear, and Lilo & Stitch. It’s not a large amount, in the big scheme of things, and it’s certainly not a justifier for how largely white Disney films are, but they do exist. So, Disney “literally” has made a movie of an entirely non-white cast.

I’m pretty sure there’s a lot of criticism for everything you mentioned, it’s just not all in this post (especially the objectification of women). I know there’s another one going around about this character in particular that states he is Ainu and debunks the concept of him being white in the first place. Yes, in fact, the entire cast should be 100% Japanese. Racebending is an unacceptable concept when you begin to hijack other minority representation. I know lots of people who aren’t going based on that principal alone (like myself). Aside from that, saying that most of America is white so that justifies whitewashing (even that it “makes sense”) or denying diversity is terrible, and is a fairly racist statement in and of itself.

DreamWorks has nothing to do with this, DreamWorks is not immune to criticism either - but that’s not the point right now.

Disney is powerful, established, and needs to stop doing what it’s doing. It has huge potential and is largely beloved - even by people who loathe it for the sake of core values. Disney needs to start doing right by not just the source materials, but by the people they claim to want to represent in entertainment. It’s also important to make people aware of what they may be endorsing when they see a film, and cause them to think critically. Entertainment is never just “entertainment”, its influence seems negligible but in reality is quite subversive and at times completely overt.

Genuine representation doesn’t start at whitewashing or racebending. It starts when you begin acknowledging the stories of minorities that already exist. It starts when you stop rewarding companies for providing sub-par representation and acknowledgement.

While it’s correct of you to bring up the largely offensive racebending of the rest of the cast, it’s incorrect of you to attempt to justify it because “it makes sense” to appeal to the white majority. Or even to justify it by saying they’re “making it more American”. What is and isn’t “American” is highly debatable, and I’m sure many people will agree that there are most certainly Japanese-Americans.

Furthermore, what’s extremely problematic in my opinion is the fact that Fredzilla is no longer Ainu.

Ainu being another group of ingenious peoples (in Japan) who have had their histories and ways of life devastated by a newer visitor to their land. As an Aboriginal Canadian that upsets me.

Reblogged from tarstarkasnet  480 notes

Why is the Bruce Lee biopic Birth of the Dragon starring a white guy?


Why is the Bruce Lee biopic Birth of the Dragon starring a white guy?

Bruce Lee
[adrotate banner=”1”]The news hit the interwebz recently that a Bruce Lee biopic called Birth of the Dragon is moving forward, with George Nolfi of The Adjustment Bureaufame attached as director. The film will be about Lee’s 1965 duel with martial arts master Wong Jack Man, which ultimately was about whether non-Chinese people should be taught kung fu. Though reports vary on the winner, the…

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they legit made up a white guy to be the main character rather than have Bruce Lee be the main character.

Which is kinda choice because Bruce Lee was an Asian American main character in the 1970s…but in the 2010s barely any films have an Asian American main character, and even the film about Bruce Lee won’t.

Reblogged from thisiseverydayracism  297 notes


Everyday racism is the fact that a white man has been cast as the KING OF SIAM in the Sydney/Brisbane showings of The King and I. And when this article brought up the white-washing of a PoC part, here are some of the comments:

A white guy playing the Thai king in “The King and I” is a moot point given that no Thai performer would consider playing the role.

Ah, how nice of Mr. “Mark Leo” to speak on behalf of EVERY Thai person in existence. *rolls eyes*

And  I’m sure there are MANY Thai (and other Asian) performers who would jump at the chance to appear in The King and I, regardless of the show’s unfortunate “interpretation” of history. Because Asian actors can’t be picky when it comes to stage roles, especially since we only ever get cast in things that are specifically about our race. They’ll happily cast us in Madame Butterfly, but god forbid we get to play Romeo or Juliet!  Hell, just look at all the people who complained about Annie being black!

The musical on both Broadway and in the film was made famous by Yul Brynner and he certainly didn’t look Thai.

Ugh. The fact that the very white, Russian Yul Brynner played an Asian in the 1956 film does not excuse the casting of a white man in the role FIFTY-SEVEN YEARS LATER. It genuinely baffles me that there are people who not only see nothing wrong with white-washing, but who also ENCOURAGE it because that’s how it was in the so-called “good ol’ days”.

Since the K&I is hardly a documentary, it would seem to be entirely irrelevant whether the lead is actually Thai.

I…don’t even know what this person is trying to say here? Are they saying it’s perfectly ok to cast  white actors in PoC roles…because it’s fictional? Forgive me, I didn’t realize there was some sort of unspoken rule that says Asians are only allowed to play Asians in documentaries. *rolls eyes again*

Opera demands the best voice be cast.

Isn’t it funny how this argument only ever seems to come up when a white person is cast as a PoC. “Well they must have been the best person for the part”…Seriously? Are you telling me that there are NO Asian actors who are “good enough” to play the King of Siam? None at all? Don’t people realize how damn racist it is to assume that white actors always get non-white roles because they must be “better” than PoC actors?! Screw that!

Nasty vile writing revealing more about the author than his argument.

Apparently having a problem with white-washing and racist casting makes you a “nasty, vile” person. *rolls eyes so hard they do a 360*

A bit difficult to know when ethnicity is irrelevant to the plot.

You heard it here first, folks! Ethnicity is “irrelevant” in a story about THE KING OF SIAM.

Reblogged from taradesuyo  304 notes

Edge of Tomorrow was really good, but…


I liked Edge of Tomorrow! It was a very solid summer action flick and Tom Cruise & Emily Blunt carried the film extremely well together. I also really liked the novel All You Need Is Kill and what I read of the comic adaptations. The potentially problematic pacing and action scenes in the film were both handled extremely well and it does a good job of explaining its brainy time travel concept to a mainstream audience. I also think the creature designs might be my favorite of all depictions of the Mimics from any version of the story. 

There’s just one thing that’s been bugging me. At some point from the page to the screen not one, not two, but three characters changed races, and one changed race and gender, all in favor of getting more white dudes in the main cast. 

Keiji Kiriya (Japanese man) = William Cage (White man)

Sgt Ferrell (Brazillian-Japanese man) = Sgt Farell (White man)

Shasta Raylle (Native American woman = Dr. Carter (White man)

I’m not usually one to bring up race or complain about bad casting or whatever, but this was just kind of (very) disappointing. I mean, you have an excellent opportunity to faithfully cast a multinational, multi-ethic group of interesting characters, and you rewrite them to yet another bunch of middle aged white dudes. Because we needed another movie cast that looks like that. I liked you, movie. I wanted to love you. But casting a diverse group of disposable nobodies as your side characters does’t really make up for this like I know you think it does.

They basically whitewashed every main character of color and even switched the Native American woman of color to a white dude.

The original version of the story from Japan was more diverse than the American adaptation.

Reblogged from kitsuneheart  335 notes

This is pretty funny to me, considering the fact that “Million Dollar Arm” is about two Indian baseball players ( Rinku Singh and Dinesh Patel), and all the movie posters are of Joe Mc White Coach.

The plot of movie was also whitewashed.   In the “true story” two Asian Americans, Will Chang (Tzi Ma) and Ash Vasudevan (Aasif Mandvi) came up with the idea of recruiting Indian athletes.  They then encouraged a reluctant JB Bernstein (John Hamm) to come with them to India.  The movie focuses on the white dude, Bernstein, and “fictionalizes”the genesis of “The Million Dollar Arm” contest by having J.B. Bernstein be the one who comes up with the idea of recruiting cricket players from India.


This is pretty funny to me, considering the fact that “Million Dollar Arm” is about two Indian baseball players ( Rinku Singh and Dinesh Patel), and all the movie posters are of Joe Mc White Coach.

The plot of movie was also whitewashed. In the “true story” two Asian Americans, Will Chang (Tzi Ma) and Ash Vasudevan (Aasif Mandvi) came up with the idea of recruiting Indian athletes. They then encouraged a reluctant JB Bernstein (John Hamm) to come with them to India. The movie focuses on the white dude, Bernstein, and “fictionalizes”the genesis of “The Million Dollar Arm” contest by having J.B. Bernstein be the one who comes up with the idea of recruiting cricket players from India.

Reblogged from lovecraftianlove  68,150 notes




Based on this list See Sources below for more info. View pictures fullscreen to see captions

30 Days 21 Hunger Games Argo Drive Pay it Forward Lone Ranger Fantastic 4

Lemme reblog again and let you know why casting that white woman as the female lead in “Drive” was so fucking wrong and fucked up.

Director Nicolas Winding Refn literally gave Carey Mulligan the part because she “seemed pure,” like someone he wanted to protect.

No, really. He literally said that shit.

These traits were ones he literally did not consider a Latina for. He picked her specifically because he fit that damsel in distress imagine that’s been coded as white. Latinas were not even given the opportunity to audition for the role.


Unfortunately, due to modern stereotypes either reinforced by Hollywood or other popular media, people have trouble seeing history’s many colors. They only wanna see only black nd white, familiar, absolute one sided portrayals of the events throughout history. I’ve had astonished Asians and non-Asians come up to me at these re-enactments. Some encourage me and some discourage me from doing it. They act like what I’m doing is an absurdity sometimes or wow I didn’t realize Asian Americans
even know American history at all! Some don’t think I look the part. I’ve even seen an old Asian couple taking photos of my unit, but making sure I’m left out of the photo.

My question to them is, what about you? Why don’t you come out and represent your own history, then if you look more the part and spend your own time and money? Heck, I didn’t even know there were really Chinese in the American civil war until I started doing this hobby and got a history lesson from other American re-enactors. Even Congress has passed a resolution to acknowledge that!

By Anonymous note from an Asian American Civil War reenactor to Summer Lee.